Review Big Eyes

Tim Burton’s latest movie is quite a pleasant departure stylistically, with “Big Eyes” the true story of Margaret Keane (Amy Adams) well before that she was Margaret Ulbrich, who in the beginning is in the process of leaving her husband, with her daughter in tow. Keep in mind this is California sometime in the 1950’s and a single Mom trying to eke out a living on their own is very unheard of.

Margaret heads to San Francisco to meet up with her friend DeeAnn (Krysten Ritter). Before she can settle in she has to find a job. To show how naïve she is and to drive a point home her first interview goes disastrously, Margaret eventually gets a job painting cribs in a smoke filled sweatshop, or a 1950’s smoke filled sweatshop.

Margaret has a knack for painting; she uses her daughter as her muse, with wonderful portraits of children with gigantic eyes. There was a time when a single mother living in San Francisco could spend the weekend at The Palace of Fine Arts doing self-portraits for customers; this is where she meets Walter Keane (Christoph Waltz), who is trying to sell his paintings. Walter is enamored with Margaret and has a silver tongue, unlike anyone she has met; she agrees to have dinner where Walter tells her of the time he spent in Paris as a starving artist, a fantastical life unlike any other.

After a fight in a nightclub/restaurant with Enrico Balducci (Jon Polito) due to the area given to him to sell Margaret’s paintings gets to the fingertips of the local paper’s gossip/social columnist Dick Nolan (Danny Huston) people eventually start buying up these paintings, so much so that Walter (not Margaret) takes credit for the paintings because it is signed by “Keane”.

Somehow someway Walter convinces his now wife, that no one would ever buy her paintings if the buying public found out that a woman was the artist. I know that sounds absurd, Margaret seeing how much money is rolling in and that there is some stability in her life buys into this lie. Keane’s paintings become so popular, that Walter needs to open an art gallery directly across from Ruben (Jason Schwartzman) who Walter had failed earlier to have his paintings put up in his gallery.

From there you’d think things would go well for Margaret and her daughter. They don’t go that well, especially when it comes to light that Walter Keane is the biggest true to life bull sh**ter this side of Saul Goodman.

In the hands of Tim Burton and the screenwriting duo of Scott Alexander and Larry Karaszewski, they bring Margaret’s story to light, with loving kindness, the same way they did “Ed Wood” twenty years earlier. Granted “Big Eyes” wasn’t a hit financially that doesn’t mean people shouldn’t check this film out, they should, Amy Adams continues at her craft and should’ve been nominated for an Oscar, goes toe to toe with two time winner Holtz and actually pulls off the better performance. Yeah this movie might not be for everyone, if you want to see what the “power” of a lie can do, look no further than this film.

Review “American Hustle” Best Film of the Year

I don’t know where to begin, “American Hustle” was nominated for a Golden Globe for best comedy, when I heard this, I wonder why people care about the Golden Globes (we really don’t).
   “American Hustle” David O. Russell’s follow up to last year’s “Silver Linings Playbook” that earned Jennifer Lawrence her first Oscar, and netted Bradley Cooper a best actor nod. Here Russell gets the cast back together and throws in Christian Bale, who won his best supporting acting Oscar for “The Fighter“.
   Russell borrows from Martin Scorsese and that isn’t a terrible choice, it works. In fact if “Goodfellas” and “Casino” were never made OR “American Hustle” was made first people would have heaps of praise for David O. Russell.
However “Goodfellas” and “Casino” came along first, and they are fine films and its influences saturates and lingers in the polyester world of early 1980’s New York and New Jersey. Irving Rosenfeld (Bale) is a grinder, a business man who owns multiple dry cleaners, along with dabbling into some forged works of art and is a last resort for people needing loans. The only drawback? Give Irving Rosenfeld $5000.00 expecting 35,000.00 or $50,000.00 you won’t see your money again. Irving has a family to raise, an adopted sun, whose mother Rosalyn (Lawerence) is an unstable force of her own wreaking havoc to every social encounter she is at. Irving loves her, she won’t divorce him.
Everything is good for Irving, it gets better when he meets Sydney Prosser (Amy Adams) at in indoor pool party, they meet and express their love for the music of Duke Ellington and from there a new business arrangement is hatched to enhance Irving’s loan “business” things go smoothly for sometime, Irving and Sydney fall in love, which kind of complicates things at the Rosenfeld compound.
The fly in the ointment comes along in the form of FBI Agent Richie DiMaso who gets Sydney on an extortion charge but not Irving who is smart enough not to physically take a check in the bust. Richie knowing Irving doesn’t want Sydney to suffer offers him a deal. Teach him to do what he does do four successful sting operations and all charges are dropped.
Eventually Irving is able to cook up a scheme involving a sheik and citizenship. The mayor of Camden, New Jersey Carmine Polito (Jeremy Renner) eventually becomes ensnared. Like all good things that must come to an end DiMaso eventually renigs on his promise to Rosenfeld because of the bigger prizes the Mayor could potentially deliver.
Everyone involved with this film brings their “A” game in a crowded acting field Amy Adams should get at least a best supporting actress nomination one day she will pull through with a win and hopefully it will be for this role. As mentioned Jennifer Lawerence’s  Rosalyn is a hurricane of destruction that could cause a giant collapse in everyone’s scheme. Louis C.K. deserves a mention as Di Maso’s by the book supervisor, who tries (unsuccessfully) to be patient with Richie and teach him some lessons that he learned growing up with his family.
Unlike “Goodfellas” and “Casino” that used both language and grisly acts of violence to get its message across “American Hustle” relies on words instead, in fact there is only one shot of gun play that is used in a flashback scene after taking in all the chaos that happens during the two plus hours of the running time, you actually want to get back in line and go through the “Hustle” again.

Review Man of Steel So Close Yet So Far

Zack Snyder’s directorial career started out with his 2004 remake of “Dawn of the Dead” that was a breath of fresh air in a stale genre, sorry about that I couldn’t think of another way to describe his remake. Subsequently Snyder’s work has been fair to midland, hitting rock bottom with 2011’s “Sucker Punch“, one of the rare movies that I was bored with and wanted to leave the theater.

When it was announced that Snyder would be the director of the Superman reboot, I had my doubts. Then there were the previews and Jimmy Skoudras  thought it looked like a Terence Malick film and I agree with him with some of the visuals of clothes lines, butter flies caught in chains, Hans Zimmer’s muted score consisting of a couple of key behind some type of ambient noise, the trailer was capped off with one fantastic visual of Superman flying breaking the sound barrier.

After seeing “Man of Steel” at least it isn’t “Sucker Punch” however the third act did feel like a “Sucker Punch” that almost ruined the whole movie. I will give credit where credit is due, to Snyder, writer David Goyer & executive producer Christopher Nolan. I liked some of the visuals, that I was initially concerned about in viewing the trailer.

Man Of Steel” borrows heavily from other properties, which is both good and bad in trying to re-establish the Superman mythology. Like Richard Donner’s  “Superman” “Man Of Steel” opens up on Krypton, this time around Jor-El (Russell Crowe) is talking to the rulers of Krypton who are all dressed like Padme’ from “The Phantom Menace”. Krypton’s core is compromised threatening everyone on the planet, that falls on deaf ears of the council.

The meeting is interrupted by General Zod (Michael Shannon) attempting a coup, wiping out the council. Jor-El & Zod both want Krypton to survive, but with different points of view for its survival.

The Coup is thwarted Zod is sentenced along with his cohorts not to be jammed in a cramped diamond shaped mirror, but in a customized sarcophagus designed by HR Geiger or something out of “Alien”.

before he is put into said sacrophegus, he is enveloped in some sort of goo, that is from “The Matrix” after Neo Takes the blue pill, or the goo could be from “The X Files” your choice. As we all know the planet is wiped out there are a handful of survivors, Kal-El flying in his own ship, that has a decent design, & Zod & his cohorts.

The world of Krypton is amazing, there are different creatures, including something that Jor-El flies on that is something out of “Avatar” I don’t mean that as a negative, Jor-El is trying to retrieve the Kodex, which is the DNA of all of Krypton’s residence.

Along with the planet eroding from within, there is a war that is honestly pretty cool for the few seconds that we see of it.

I liked the fact that after the first act we meet Clark Kent working on a fishing boat, rocking a beard, and trying to stay anomynous, it was good fun, the first ‘feats of strength’ piece involved an oil refinery fire. Clark provides the rescue before being blasted into the ocean with the first of many overtly Christ like poses.

While Clark is knocked out, we are taken back to Smallville, and Clark is now in grade school, he is having what I can best describe is a sensory depravation attack, he begins to see people with his X Ray vision, his heat vision is starting up as well. The only person who can calm Clark down is his mother Martha (Diane Lane) Clark has questions as to who he is his Father Jonathan (Kevin Costner) is reluctant to answer but eventually does.

One thing, that could’ve been omitted from the story was the death of Jonathan Kent, it was taken directly from “Spiderman” with the Ben Parker, story line, but without the “With great power comes great responsibility” line.

After the explosion Clark is running around in ripped pants looking like a combination of the Hulk & the Wolverine,

I didn’t mind this I actually liked it, the soundtrack lit up with the Chris Cornell single “Seasons” and it is a solid scene before his next job as a bartender, where he encounters a drunken truck driver, who will have a heck of a time explaining to his insurance company & employers what happened to his rig.

Lois Lane (Amy Adams) is dispatched to the Artic Circle, using an injunction so that she can see what the Canadian & US Government have found buried beneath the ice. Also there is Clark who somehow someway sneaks onto the base and heads towards whats buried in the ice.

This sets off a chain of events for the rest of the movie, Lois suffers a cut, that needs to be cauterized, Clark obliges, she proceeds to write the story that her boss Morpheus his self (Laurence Fishburne) Perry White refuses to publish, she leaks the story to a gossip website. The Lois Lane character in this movie is infinetly better than Kate Bosworth from Brian Singer’s flawed yet sometimes decent “Superman Returns’ with the flaw being Kate Bosworth as Lois Lane, I like Kate Bosworth, from “Blue Crush” she is fantastic in that film, however she was wrong, for Lois Lane.

With the incident in Anartica, Clark finds out about where he came from, what he can do, up to this point we haven’t seen Superman fly, he makes a grand entrance, flying doesn’t come natural to him yet, he is William Katt in “The Greatest American Hero” once again I don’t mind this, Clark’s escapade into learning to fly is quickly corrected.

From this point on in the movie, everyone had to go with the story, I really liked the time, that showed Clark hopping from job to job trying to find out who he is, if the movie had been that I would’ve been ok with it.

Once Zod arrives on earth looking for Kal-El, the movie doesn’t initially fall apart, Zod is viewed by everyone as a threat, which he is & the bottom goatee he grew over the years is really a poor choice, especially with that combo of his hair.

The entire second act is Zod & his crew arrive on earth to retrieve Kal-El, Clark obliges somewhat, turning himself in to the US Government. The gear used by Zod once again is from “Prometheus”

what I liked what the producers did with Krypton, is show that they are a flawed people, who aren’t immortal, they make choices without thinking things thru.

Zod isn’t looking for Kal-El he is looking for the Kodex, that he intends to use to get Krypton restarted, the earth is a near match for Krypton, & since they are already here, they will go ahead and try to take over, the earth.

Overall “Man Of Steel” at times delivers, and it is great and fantastic, whether it will hold up or not remains, to be seen. Snyder’s visuals were solid, there is 3/4’s of a decent movie, and I think Snyder did the best job he possibly could.

According to IMDB a sequel is already underway, what I liked about “Man of Steel” is that Kryptonite is never introduced, Lex Luthor doesn’t want to do a land swap, in the Superman canon, this movie stands on it’s own, that is up until the third act, I really wish that alternatives, could’ve been discussed, the movie was supposed to be released for Summer 2012, it was delayed, if they had pushed it back another year to iron out the third act, I would’ve been all right with that.

Rating 2& **1/2 Stars out of 4.